I think music should be beautiful on multiple levels. It should not only be accessible and pleasant to hear, but should also contain deeper meaning—secrets contained within which may not be obvious at first listening. I write for real, classical instruments because I love the individual element that a musician can add to a performance.

Harry Potter Septet Seven movements, seven voices, inspired by the seven-book Harry Potter series by J. K. Rowling. For Soprano, Alto, Violin, Viola, Cello, Bass, and Piano. Stay tuned for recordings.

Below are a few other examples of my music compositions.

The pieces are free to play for personal use only, and may not be further distributed without permission.

Piece	Length	Recording
Nothing Has Changed	6m08s	(5.9MB)
Piano Solo. Performed by Vi Hart (on an electric piano).
Requiem Aeternam	4m40s	(4.4MB)
Chamber Orchestra and Choir. Student performance.
Dreamsong II	5m14s	(4.9MB)
String Quartet for Violin, Viola, and Two Cellos. The entire piece is a palindrome: played backwards, the notes are exactly the same. Try listening to the performance backwards! Student performance.
Thing IV	3m06s	(2.9MB)
String Quartet for Violin, Cello, and Two Violas. Student performance.
My Favorite Sky	3m19s	(2.9MB)
Clarinet, Violin, Piano. Student performance.
S-A-S-H-A	3m22s	(2.9MB)
Duet for Piano and Mathematics. Inspired by the paper “Using Binary Numbers in Music”. Performed by Vi Hart.
Places	~12m	see below
Voice and Piano. Performed by Vi Hart.
1: Windchime Street	2m41s	(2.6MB)
2: The Corner Room	3m05s	(3.0MB)
3: A Stone Wall	1m34s	(1.5MB)
4: The Attic	1m28s	(1.4MB)
5: The Window	3m03s	(2.9MB)